Electronic Theses and Dissertation

Dinda Salsabila Marga, (2025). Makna Gerak dan Pola Lantai Tari Peleubat
pada Sanggar Belagakh Bujang Education di Desa Mamas Indah Kecamatan Darul
Hasanah Kutacane Kabupaten Aceh Tenggara. Skripsi Universitas Syiah Kuala.
Dibawah bimbingan Ibu Cut Zuryaningsih, S.Pd., M.Pd dan Ibu Yeni Zuryaningsih,
M.Pd.
Penelitian ini berjudul “Makna Gerak dan Pola Lantai Tari Peleubat pada Sanggar
Belagakh Bujang Education di Desa Mamas Indah Kecamatan Darul Hasanah
Kutacane Kabupaten Aceh Tenggara”. Mengangkat masalah bagaimana Makna
Gerak dan Pola Lantai Tari Peleubat pada Sanggar Belagakh Bujang Education di
Desa Mamas Indah Kecamatan Darul Hasanah Kutacane Kabupaten Aceh
Tenggara. Bertujuan untuk mengetahui bagaimana makna gerak dan pola lantai tari
peleubat pada sanggar belagakh bujang education. Penelitian ini menggunakan
pendekatan kualitatif dengan menggunakan metode deskriptif. Subjek penelitian
adalah ketua sanggar Belagakh Bujang Education, Penari sanggar Belagakh Bujang
Education, Ketua MAA/Tokoh Adat, dan Warga yang memahami tentang tari
peleubat. Objek dalam penelitian ini adalah makna gerak dan pola lantai tari
peleubat dan teknik pengumpulan data Wawancara, Observasi, Studi dokumentasi,
Focus group discussion (FGD), Rekaman video atau suara, Teknik analisis data
(Reduksi, Display data, Kategorisasi, Interpretasi). Hasil penelitian menunjukkan
bahwa Tari Peleubat memiliki 9 (sembilan) Makna gerak yaitu gerak salam
terwujud (saling menghormati), gerak salam tidak terwujud (permohonan izin
kepada leluhur), gerak tepuk tangan (penanda memulai dan mengakiri suatu tarian),
gerak langkah (kesiapan dan siaga), gerak bunga-bunga (juang para penari), gerak
nincingi (menghindari serangan lawan), gerak mengambil senjata (kesiapan fiisk
dan mental), gerak halau kanan dan kiri (kewaspadaan), serta gerak salam akhir
(berakhirnya pertarungan dalam tarian tersebut). dan 2 (dua) makna Pola Lantai
yaitu pola horizontal dan lingkaran. Pola horizontal melambangkan kebersamaan
dan penghormatan terhadap leluhur, sedangkan pola lingkaran menyimbolkan
kesepakatan bersama (sepakat segenep) yang mencerminkan nilai persatuan dalam
budaya masyarakat Alas.

Kata Kunci : Tari Peleubat, Makna Gerak, Pola Lantai.

Dinda Salsabila Marga, (2025). The Meaning of Movement and Floor Pattern of Peleubat Dance at Sanggar Belagakh Bujang Education in Mamas Indah Village, Darul Hasanah Kutacane District, Southeast Aceh Regency. Syiah Kuala University Thesis. Under the guidance of Mrs. Cut Zuryaningsih, S.Pd., M.Pd and Mrs. Yeni Zuryaningsih, M.Pd. This research is titled "The meaning of movement and pattern of the Peleubat dance floor in the Belagakh Bujang Education Center in Mamas Indah Village, Darul Hasanah Kutacane District, Southeast Aceh Regency". Raising the issue of how the Meaning of Movement and the Pattern of the Peleubat Dance Floor at Sanggar Belagakh Bujang Education in Mamas Indah Village, Darul Hasanah Kutacane District, Southeast Aceh Regency. Aiming to find out the meaning of the movement and the pattern of the dance floor in the bachelor education school. This research uses a qualitative approach by using a descriptive method. The research subjects are the head of the Belagakh Bujang Education sanggar, the dancers of the Belagakh Bujang Education sanggar, the Head of the MAA/Tokoh Adat, and Residents who understand about the pelebat dance. The object in this study is the meaning of movement and pattern of the dance floor and data collection techniques Interview, Observation, Documentation study, Focus group discussion (FGD), Video or sound recording, Data analysis techniques (Reduction, Data display, Categorization, Interpretation). The research results show that the Peleubat Dance has 9 (nine) Meanings of the movement, namely the gesture of greeting (respecting each other), the gesture of greeting is not manifested (asking for permission from the ancestors), the movement of applause (the sign of starting and starting a dance), the movement of steps (prepare and alert), the movement of the flowers (the dancers), the movement of nincingi movement (avoiding the opponent's attack), the movement of taking a weapon (physis and mental readiness), the movement of the right and left (vigilance), and the movement of the end of the fight (the end of the fight in the dance). and 2 (two) meanings of the Floor Pattern, namely the horizontal and circular patterns. The horizontal pattern symbolizes togetherness and respect for ancestors, while the circle pattern symbolizes a mutual agreement (segenep agreement) that reflects the value of unity in the culture of the Alas community. Keywords: Peleubat Dance, Movement Meaning, Floor Pattern.