Electronic Theses and Dissertation

Penelitian ini berjudul “Analisis Struktur Tari Oteh Roda di Sanggar Beru Menye Kebet Desa Kebet Kecamatan Bebesen Kabupaten Aceh Tengah”. Tari Oteh Roda adalah karya tari hasil kreativitas salah satu seniman tari Aceh Tengah yaitu Bapak Ibrahim Syah pada tahun 1960. Tari Oteh Roda di angkat dari kegiatan petani wanita Aceh Tengah yang hendak memanen hasil garapan sawahnya. Ragam gerak Tari Oteh Roda Memvisualisasikan aktivitas-aktivitas proses panen padi mulai dari menjemur, mengayak, mengangkat, dan menumbuk padi hingga siap disantap sebagai makanan sehari-hari. Penelitian ini menggunakan pendekatan kualitatif dengan menggunakan metode deskriptif. Subjek penelitian adalah koreografer Tari Oteh Roda sedangkan objek dalam penelitian ini adalah Tari Oteh Roda dan teknik pengumpulan data observasi, wawancara dan dokumentasi. Analisis data kualitatif menggunakan reduksi data, penyajian data, dan verifikasi data, Hasil penelitian menunjukkan bahwa tata hubungan antar elemen gerak Tari Oteh Roda yang memiliki unsur sikap dan unsur gerak, 2 unsur sikap kepala, 2 unsur gerak kepala,
2 unsur sikap badan 5 unsur gerak badan, 5 unsur sikap tangan, 12 unsur gerak tangan, 2 unsur sikap kaki dan 4 unsur gerak kaki, Tata hubungan hirarkis gramatikal tari Oteh Roda memiliki 219 motif gerak, 30 frase gerak, 12 kalimat gerak, dan 6 gugus gerak, Kemudian tata hubungan sintagmatis memiliki tata hubungan dari awal masuk hingga penutup, Yaitu dari gugus 1. Lari, 2. Padi,
3.Tampi, 4. Guel, 5. Panen, 6. Penutup. Tata hubungan paradimatis terjadi didalam
frase ke-3 dengan syair “mejemur iwan lao porak sara gerbak mah kujingki” da frase ke-5 dengan syair “ oteh roda lencem bijak olok cacak wemunampi ”.

Kata kunci: Analisis, Struktur, Tari Oteh Roda.

This research is entitled "Structure Analysis of the Oteh Roda Dance at the Beru Menye Kebet Studio, Kebet Village, Bebesen District, Central Aceh Regency". The Oteh Roda dance is a dance work created by one of the Central Acehnese dance artists, namely Mr. Ibrahim Syah, in 1960. The Oteh Roda dance was based on the activities of Central Acehnese women farmers who wanted to harvest the results of their rice fields. The various movements of the Oteh Roda Dance visualize the activities of the rice harvest process starting from drying, sifting, lifting and pounding the rice until it is ready to be eaten as daily food. This research uses a qualitative approach using descriptive methods. The research subject is the choreographer of the Oteh Roda Dance while the object of this research is the Oteh Roda Dance and the data collection techniques of observation, interviews and documentation. Qualitative data analysis uses data reduction, data presentation, and data verification. The results of the research show that the relationship between the movement elements of the Oteh Roda Dance has elements of attitude and movement elements, 2 elements of head attitude, 2 elements of head movement, 2 elements of body posture, 5 elements of body movements, 5 elements of hand gestures, 12 elements of hand gestures, 2 elements of foot gestures and 4 elements of foot movements. The hierarchical grammatical relationship of the Oteh Roda dance has 219 movement motifs, 30 movement phrases, 12 movement sentences, and 6 movement groups, then the syntagmatic relationship system has a relationship system from the beginning to the end, namely from group 1. Lari, 2. Rice, 3. Tampi, 4. Guel, 5. Harvest, 6. Closing. Paradimatic relationships occur within the 3rd phrase with the verse "drying iwan lao porak sara gerbak mah kujingki" and the 5th phrase with the verse " oteh wheel lencem sage olok ccak wemunampi ". Keywords: Analysis, Structure, Oteh Roda Dance.