Electronic Theses and Dissertation

Hanna apriani. (2026). penotasian gerak tari jaran kepang di sanggar ronggo lawe desa lohop kecamatan cot girek kabupaten aceh utara. [skripsi. universitas syiah kuala]. dibawah bimbingan dra. tri supadmi, m.sn., dan, yeni zuryaningsih, m.pd. penelitian berjudul “penotasian gerak tari jaran kepang di sanggar ronggo lawe, desa lohop, kecamatan cot girek, kabupaten aceh utara” ini bertujuan untuk mendokumentasikan gerak tari jaran kepang dalam bentuk notasi laban sebagai upaya pelestarian sehingga keaslian gerak tari tetap terjaga dan dapat dipelajari serta dipraktikkan secara tepat oleh para penari. penelitian ini menggunakan metode kualitatif dengan pendekatan deskriptif. subjek penelitian terdiri atas ketua sanggar dan penari di sanggar ronggo lawe, sedangkan objek penelitian adalah notasi laban pada gerak tari jaran kepang. data dikumpulkan melalui teknik observasi, wawancara, dan dokumentasi. analisis data dilakukan melalui tahapan reduksi data, penyajian data secara deskriptif, serta penarikan kesimpulan. hasil penelitian menunjukkan bahwa notasi laban pada tari jaran kepang mampu menggambarkan secara sistematis arah hadap gerak yang meliputi arah depan, samping kanan, samping kiri, serong kanan, serong kiri, dan belakang. selain itu, tari ini memanfaatkan tiga tingkatan level gerak, yaitu level rendah, sedang, dan tinggi, dengan pola perpindahan yang mencakup arah horizontal, vertikal, dan melingkar. dari aspek tenaga, gerak tari menggunakan variasi tenaga pelan, sedang, dan kuat sehingga menghasilkan dinamika gerak yang beragam. berdasarkan hasil penotasian, bentuk gerak tari jaran kepang tergolong kompleks karena memadukan variasi arah, level, pola lantai, dan penggunaan tenaga. tari jaran kepang di sanggar ronggo lawe, desa lohop, kecamatan cot girek, kabupaten aceh utara memiliki 13 ragam gerak, yang masing-masing tersusun dalam babak-babak dengan ketukan atau tempo serta pola pengulangan gerak yang berbeda. ketiga belas ragam gerak tersebut meliputi mlaku nggolek, srisig, jaran nglacak, sabetan, jangkah turonggo mlayang, entrag, tancep pandalu, nyawang, lumaksono jaran, milang-miling, perangan, sabet laga jaran, dan turonggo ngenceng. kata kunci: tari jaran kepang, notasi laban.

Hanna Apriani. (2026). Notation of the Jaran Kepang Dance Movements at the Ronggo Lawe Dance Studio in Lohop Village, Cot Girek Subdistrict, North Aceh Regency. [Thesis. Syiah Kuala University]. Under the supervision of Dra. Tri Supadmi, M.Sn., and Yeni Zuryaningsih, M.Pd. This study, titled “Notation of the Jaran Kepang Dance Movements at the Ronggo Lawe Dance Studio, Lohop Village, Cot Girek Subdistrict, North Aceh Regency,” aims to document the movements of the Jaran Kepang dance using Laban notation as a preservation effort, so that the authenticity of the dance movements is maintained and can be accurately learned and performed by dancers. This study employs a qualitative method with a descriptive approach. The research subjects consist of the studio director and dancers at the Ronggo Lawe Studio, while the research object is the Laban notation of the Jaran Kepang dance movements. Data were collected through observation, interviews, and documentation. Data analysis was conducted through the stages of data reduction, descriptive data presentation, and drawing conclusions. The results of the study indicate that Laban notation in the Jaran Kepang dance is capable of systematically describing the directional orientation of movements, which include forward, right side, left side, diagonal right, diagonal left, and backward. Additionally, this dance utilizes three levels of movement—low, medium, and high—with movement patterns encompassing horizontal, vertical, and circular directions. In terms of energy, the dance movements employ variations in energy—slow, moderate, and strong—resulting in diverse movement dynamics. Based on the notation results, the movement patterns of the Jaran Kepang dance are classified as complex because they combine variations in direction, level, floor patterns, and the use of energy. The Jaran Kepang dance at the Ronggo Lawe Studio in Lohop Village, Cot Girek Subdistrict, North Aceh Regency, features 13 distinct movement variations, each organized into sections with different rhythms, tempos, and patterns of movement repetition. The thirteen movement variations include Mlaku Nggolek, Srisig, Jaran Nglacak, Sabetan, Jangkah Turonggo Mlayang, Entrag, Tancep Pandalu, Nyawang, Lumaksono Jaran, Milang-Miling, Perangan, Sabet Laga Jaran, and Turonggo Ngenceng. Keywords: Jaran Kepang Dance, Laban Notation.