Electronic Theses and Dissertation

Abstrak rahmatullah muslim (2026). analisis struktur gerak tari ratoh canang trieng di sanggar lempia kota banda aceh. [skripsi. universitas syiah kuala]. dibawah bimbingan dra. trisupadmi, m.sn. dan ismawan, s.sn., m.sn. penelitian ini berjudul “analisis struktur gerak tari ratoh canang trieng di sanggar seni lempia kota banda aceh”. penelitian ini bertujuan untuk mengetahui tata hubungan, susunan, dan bentuk struktur gerak yang terdapat dalam tari ratoh canang trieng yang dikembangkan dan dilestarikan di sanggar seni lempia kota banda aceh. tari ratoh canang trieng merupakan salah satu tari kreasi aceh yang memiliki ciri khas pada penggunaan canang trieng (bambu) sebagai properti utama serta menampilkan perpaduan gerak, musik, dan syair yang sarat akan nilai budaya masyarakat aceh. penelitian ini menggunakan pendekatan kualitatif dengan jenis penelitian deskriptif. subjek penelitian adalah samsidar (alot), istri pemilik sanggar seni lempia kota banda aceh yang pernah berkolaborasi dan berperan sebagai tangan kanan almarhum zulfi hermi dalam pengembangan tari tersebut. objek penelitian adalah struktur gerak tari ratoh canang trieng yang berasal dari provinsi aceh. teknik pengumpulan data dilakukan melalui observasi, wawancara, dan dokumentasi. teknik analisis data yang digunakan adalah reduksi data, penyajian data dan verifikasi. hasil penelitian menunjukkan bahwa struktur gerak tari ratoh canang trieng terdiri atas 4 gugus gerak, 30 kalimat gerak, 79 frase gerak, dan 704 motif gerak yang membentuk satu kesatuan karya tari yang utuh. selain itu, ditemukan 9 unsur gerak kepala, 7 unsur gerak badan, 8 unsur gerak tangan, dan 5 unsur gerak kaki. dominasi gerakan kepala dan pukulan pada canang trieng, disertai sautan nyanyian oleh syeh dan para penari, menjadi karakteristik utama yang memperkuat identitas tari ratoh canang trieng sebagai representasi nilai budaya dan estetika masyarakat aceh. kata kunci: struktur gerak, tari ratoh canang trieng.

ABSTRACT Rahmatullah Muslim (2026). Analysis of the Movement Structure of Ratoh Canang Trieng Dance at Lempia Art Studio, Banda Aceh City. Undergraduate Thesis, Syiah Kuala University. Supervised by Dra. Trisupadmi, M.Sn and Ismawan, S.Sn., M.Sn. This research is entitled “An Analysis of the Movement Structure of Ratoh Canang Trieng Dance at Lempia Art Studio, Banda Aceh City.” The study aims to identify the relationships, arrangement, and structural forms of movement found in the Ratoh Canang Trieng Dance, which has been developed and preserved at the Lempia Art Studio in Banda Aceh. Ratoh Canang Trieng is one of Aceh’s creative dances characterized by the use of canang trieng (bamboo percussion instruments) as its primary property. The dance presents a harmonious combination of movement, music, and poetic lyrics that reflect the cultural values of Acehnese society. This study employed a qualitative approach with a descriptive research design. The research subject was Samsidar (Alot), the wife of the owner of Lempia Art Studio, who collaborated closely and served as the right-hand assistant of the late Zulfi Hermi in the development of the dance. The object of the study was the movement structure of Ratoh Canang Trieng Dance originating from Aceh Province. Data were collected through observation, interviews, and documentation. The data analysis techniques consisted of data reduction, data presentation, and verification. The findings reveal that the movement structure of Ratoh Canang Trieng Dance consists of four movement clusters, thirty movement sentences, seventy-nine movement phrases, and seven hundred and four movement motifs that form a complete and unified dance composition. Furthermore, the study identified nine head movement elements, seven body movement elements, eight hand movement elements, and five foot movement elements. The dominance of head movements and rhythmic strikes on the canang trieng, accompanied by responsive singing performed by the syeh and dancers, constitutes the dance’s distinctive characteristic, strengthening its identity as a representation of the cultural and aesthetic values of Acehnese society. Keywords: Movement Structure, Ratoh Canang Trieng Dance.