Electronic Theses and Dissertation

Abstrak zakya dara mulki. (2024). analisis bentuk gerak tari piasan meulaot di sanggar rampoe kota banda aceh [skripsi. universitas syiah kuala]. dibawah bimbingan dra. tri supadmi, m.sn., dan dr. rida safuan selian, s.pd., m.pd. hilangnya pemahaman generasi muda terhadap makna dan nilai-nilai tarian, serta minimnya dokumentasi yang memadai, dapat menjadi ancaman bagi upaya pelestarian tari piasan meulaot di masa depan. penelitian tentang “analisis bentuk gerak tari piasan meulaot di sanggar rampoe kota banda aceh” ini bertujuan untuk mendeskripsikan bentuk gerak tari piasan meulaot agar gerak tari tersebut dengan detail dapat di lakukan oleh penari. penelitian ini menggunakan metode deskriptif pendekatan kualitatif. subjek penelitian adalah tari piasan meulaot pada sanggar rampoe kota banda aceh, sedangkan objek dalam penelitian ini adalah gerak tari piasan meulaot. data di peroleh dengan tehnik observasi, wawancara, dan dokumentasi. analisis yang di gunakan adalah dengan mereduksi data terlebih dahulu kemudian menyajikannya dalam bentuk uraian singkat dan akhirnya di lakukan penarikan kesimpulan. hasil penelitian menunjukkan bahwa tari piasan meulaot memiliki gerak yang bervariasi mulai dari ragam pembuka, ragam klimaks dan ragam penutup. tarian ini memiliki 27 ragam gerak yaitu, gerak masuk putra, gerak melambaikan bubee, gerak mengelilingi bubee, gerak melihat, gerak memutar, gerak tepuk tangan, gerak keluar (putra), gerak masuk penari putri, gerak masuk memutar, gerak bahu, gerak putar, gerak petik ke satu, gerak tangan berputar, gerak petik kedua, gerak petik ketiga, gerak tepuk pertama,gerak petik mengayun,gerak petik kelima, gerak mengambil tali, gerak menggulung tali, gerak berputar menggulung tali, gerak menarik tali, gerak jalan transisi duduk, gerak duduk mengayun tali, gerak membuat jaring, gerak membuat jarring ragam ke dua, gerak membuka jarring (penutup). kata kunci: analisis, bentuk gerak, tari piasan meulaot

ABSTRACT Zakya Dara Mulki. (2024). Analysis of the Movement Form of the Piasan Meulaot Dance at the Sanggar Rampoe in Banda Aceh City [Thesis. Syiah Kuala University]. Under the guidance of Dra. Tri Supadmi, M.Sn., and Dr. Rida Safuan Selian, S.Pd., M.Pd. The loss of understanding of the younger generation regarding the meaning and values of dance, as well as the lack of adequate documentation, could be a threat to efforts to preserve the Piasan Meulaot dance in the future. This research on "Analysis of the Movement Form of the Piasan Meulaot Dance at the Sanggar Rampoe in Banda Aceh City" aims to describe the movement form of the Piasan Meulaot dance so that the dance movements can be performed in detail by the dancers. This study uses a descriptive qualitative approach method. The subject of the study is the Piasan Meulaot dance at the Sanggar Rampoe in Banda Aceh City, while the object of this study is the movement of the Piasan Meulaot dance. Data were obtained using observation, interview, and documentation techniques. The analysis used was to reduce the data first, then present it in the form of a brief description and finally draw conclusions. The results of the study showed that the Piasan Meulaot dance has various movements ranging from opening variations, climax variations and closing variations. This dance has 27 types of movements, namely, male entry movement, bubee waving movement, bubee surrounding movement, looking movement, rotating movement, clapping movement, exit movement (male), female dancer entry movement, rotating entry movement, shoulder movement, rotating movement, first picking movement, rotating hand movement, second picking movement, third picking movement, first clapping movement, swinging picking movement, fifth picking movement, taking rope movement, rolling rope movement, rotating rolling rope movement, pulling rope movement, sitting transition walking movement, sitting swinging rope movement, making net movement, making net movement of second variety, opening net movement (closing). Keywords: analysis, movement form, meulaot